Written By Rick
Ellis, Thursday, October 4th, 2007
As a fan of "Law And Order: Criminal Intent," I wasn't exactly pleased
last spring when I heard that the series was moving from NBC to its sister
cable network USA. Not that USA is a lesser network. In fact, given the
success of shows such as "Monk," "Burn Notice," "The Dead Zone" and "Psych,"
you could make a pretty good argument that the move is a step up.
But when a veteran show changes networks, there is always the real
possibility that not all the viewers will follow. Plus, budgets on the
basic cable side are lower than for the broadcast networks, and no one
wants to see their favorite show lessened by money issues.
The good news for fans of the "Law And Order: Criminal Intent" is
that USA Network premiere is as strong as any of the NBC episodes. While
there are noticeable changes in the show's tone and look, those have
as much to do with changes behind the cameras as the move to cable.
Like all good "Law And Order" episodes, the show begins with a murder.
An undercover cop is killed on a stakeout while his partner is taking
a bathroom break. That event brings in Det. Robert Goren (Vincent D'Onofrio)
and Det. Alexandra Eames (Kathryn Erbe), who are both quickly drawn
into the investigation. As it turns out, the slain officer was the partner
of Eames' husband, who was also a police officer. He was killed in the
line of duty, and this murder shakes Eames and brings back a lot of
memories she thought she had buried long ago.
The challenge for Goren is much different. He is, as one fellow cop
notes, a "whack job." When Goren receives the initial call about the
murder, he is still in the midst of a medical leave. He's shown sitting
on the floor of his apartment as the phone rings, and when he does show
up at the hospital, he's sporting a three-day growth of beard and about
40 extra pounds.
The first half of the episode is tautly written and quite surprising.
While the official police investigation points at the murder being gang-related,
Goren uncovers connections between this murder and the death of Eames'
husband. It's clear that they are related, although no one seems to
believe Goren's take of the evidence.
The problem with the episode is that the writing falls apart a bit
in the second half. Once Goren investigates a bit, it is quickly apparent
who committed the crimes. Even worse, it's hard to imagine any police
department in the country who would allow a detective to continue working
a case directly connected to the murder of their spouse. The writer's
try and get around this with the perfunctory "If this is a distraction,
I'll pull you off the case" discussion. But that doesn't get around
the fact that Eames only seems to be there for reasons more to do with
the show than with logic.
One change from the NBC episodes is that the camera work is much more
flowing and intimate. There seems to be a lot of use of handheld cameras,
and the shots don't seem as staged as is often the case in police shows.
While the episode's ending might frustrate viewers, "Law And Order:
Criminal Intent" is still a fine show. D'Onofrio is a master actor in
this role, and he's created a character that is compelling and complex.
Erbe serves as the perfect foil, and at the end of the day, the success
of this show has much less to do with the writing than with the fact
this two actors are absolutely riveting to watch.
"Criminal Intent" is back, and I am happy to see it happen. Despite
the tiredness of the "Law And Order" franchise, this series stands up
as one of the best police dramas on TV.
"Law And Order: Criminal Intent" premieres on the USA Network on
Thursday, October 4th, 2007.
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